We are an Apple 1-1 school, so I am always happy to figure out lessons my students can use their laptops for.
I also like to use manipulatives in Algebra 1. It's not easy to get all students to accept the need to use multiple representations (such as an area model), but they help enormously to extend kids' conceptual understanding of the distributive property — plus they make a return appearance a lot when we get to the Festival of Factoring in the late winter.
So the National Library of Virtual Manipulatives seemed like a natural fit. But what problems to use to introduce them?
Enter the Exeter Math 1 problem sets.
I have been using the Exeter problems with my advanced 8th grade students taking Algebra 1 almost every week during our Problem-Solving Workshops on block days. Each page is a self-contained "problem set" that builds from simplest principles and often loops back on itself later in the page. This gives students a chance to give themselves a pat on the back for having discovered and developed an intuition for activating their own prior knowledge. I then have them write up one of the problems they solved as a problem of the week to give them practice in blending symbolic and graphical representations with verbal representations (don't forget the verbal representations!). So much Common Core math in such a small span of time!
I will write more about using the Exeter problems as a resource for long-form problem-wrestling with my students, but here I just want to talk about the specifics of introducing algebra tiles.
One of the features of the Exeter problems that we do not get to take much advantage of is the way they build page over page. They will introduce part of a concept or skill in a problem on page 5, say, then introduce the next part of the concept in a problem on, say, page 8. This makes so much sense if you are teaching using one page per day and working through all of them. But for those of us who dip in and nick out once a week, that isn't really possible.
But... by the time we got to around page 21, it dawned on me that I could collect the five problems they use that introduce algebra tiles and put them on a single sheet of paper.
Then I could give that to students during Problem-Solving Workshop, along with a quick intro to the NLVM, to let them teach themselves how to use algebra tiles!
So that is what I did this week. :)
A couple of programming notes if you want to try this yourself with your students:
_________________
1. Start at the very beginning with NLVM and PREPARE FOR TECH HICCUPS
NLVM can be extremely persnickety. This is probably due to some perverse desire to help us cultivate CC standards of mathematical practice #1. Encourage yourself and others to persevere.
Your network may have restrictions on how students can use Java-enabled apps on school equipment. We had some hiccups getting NLVM to run on everybody's system at first. Firefox seems to be the most reliable browser for NLVM. Also, you need to have the most up-to-date version of Java on the student's system.
On our network and systems, students can only update Java by logging out and in again or by restarting their computers. No matter how many times I explained this, some kids still didn't quite figure it out. So much for being "digital natives." Plan to go around to each kid the first time to help them get their systems up and running.
Our system throws up a modal "Security Warning" dialog that forces you to check "I accept the risk" and "Run" before NLVM will load in the browser window. Again, a minor pain in the butt, but you do need to make sure that every kid gets through the security gauntlet to use the system.
Refresh the browser window if need be and be patient which Java and the applet cooperate in loading.
__________________
2. Get everybody to the *FIRST* page of the Algebra Tiles site on NLVM
For reasons that pass my understanding, NLVM dumps you into the sixth page of the algebra tiles site (the activity panel on the right, which loads as "Multiplying Binomials - 1").
You need to have students click the leftward-ho button at the top of this right-hand panel SIX TIMES to get back to the first page, which is called "Distributive Law - 1."
This is stupid but necessary because on the first two pages of this site, you can do things you need at the beginning that will quickly drop away as students gain fluency.
For example, the Distributive Law pages are the only ones where you can easily represent both multiplication over addition AND an area addition model in the same window.
_____________________
3. Familiarize yourself with the syntax of the NLVM Algebra Tiles pages
You'll need to tinker with this a bit, to get comfortable with the syntax of the applet, but there are two essential features of the Algebra Tiles distributive property pages:
_____________________
4. Click to CREATE tiles in the workspace; drag to MOVE tiles
You can create instances of any of the area blocks that are possible by CLICKING them in the menu bar along the bottom of the workspace. When you click the "x" button, for example, NOTICE that NLVM creates a single instance of a 1-by-x rectangle in the workspace. You can create as many "instantiations" of any of these blocks as you need for any expression you want to represent.
NOTICE that you can drag these critters around in the workspace and add them up, like LEGOs. Or you can drag them into the x-axis tray or the y-axis tray to represent lengths and widths of various area blocks of multiplication.
ALSO NOTICE that you can mouse over the corner of a block in the workspace to rotate it into the position you need.
_____________________
5. How to show multiplication over addition (i.e., how to show x (y+2) :
The x- and y-axis are basically x- and y-axis "trays" that students can drag tiles into. Drag a 1-by-x tile into the y-axis tray and it creates an x coefficient. Drag a 1-b-y tile and two unit blocks into the x-axis tray and they become the quantity in parenthesis over which your x coefficient will drape itself in multiplication.
NOTICE that as blocks snap into place in the second axis tray you fill, a red area outline appears in the main workspace between the x-axis tray and the y-axis tray.
_____________________
6. How students can confirm for themselves that area addition and multiplication over addition produce equivalent area values (i.e., how to show that x (y+2) = xy + 2x :
In this window, students can create blocks to fill in this red outline and verify for themselves that the area they get using the distributive property is equivalent to the area they can get using the area addition postulate approach.
Have students click to create blocks and then drag them around to fill the red outlined area perfectly.
____________________________________
MATERIALS
My bastardized worksheet of the five Exeter Math 1 problems that introduce algebra tiles and an area model can be found here on the Math Teacher's Wiki.
NLVM Distributive Property pages are here and 6 pages to the left.
Enjoy!
cheesemonkey wonders

Showing posts with label #MadeToStick. Show all posts
Showing posts with label #MadeToStick. Show all posts
Sunday, October 20, 2013
Monday, October 7, 2013
Teaching Mathalicious' "Harmony of Numbers" lesson on ratios, part 1 (grade 6, CCSSM 6.RP anchor lesson)
I started teaching Mathalicious' Harmony of Numbers lesson in my 6th grade classes today, and I wanted to capture some of my thoughts before I pass out for the night.
The Good — Engagement & Inclusion
First of all, let's talk engagement. This made a fabulous anchor lesson for introducing ratios. The lesson opens with a highly unusual video of a musical number that every middle school student in America knows — One Direction's "What Makes You Beautiful."
You'll just have to watch the video for yourself to see how the surprise of this song gets revealed.
What I wish I could capture — but I can only describe — was the excitement in the room as my 6th graders realized what song was being played. It took about eight measures for the realization to kick in. Imagine a room full of South Park characters all clapping their hands to their cheeks and turning around with delight to see whether or not I really understood the religious experience I was sharing with them.
Every kid in the room was mesmerized. Even my most challenging, least engaged, most bored "I hate math" kids were riveted to the idea that music might be connected to math. It passed the Dan Pink Drive test because suddenly even the reluctant learners were choosing to be curious about something in math class. My assessment: A+
We started with a deliberately inclusive activity to kick things off — one whole-class round of Noticing and Wondering (h/t to the Math Forum). Sorry for the blurry photography of my white board notes. They noticed all kinds of really interesting things and everybody participated:
From noticing and wondering, we began to circle in on length of piano strings and pitch of notes. This was a very natural and easy transition, perhaps since so many of the students (and I) are also musicians of different sorts. Five guys, one piano, dozens of different sounds, what's not to like?
The Not Actually 'Bad,' But Somehow Slightly Less Good
One thing I noticed right away was that, while the scale of the drawings on the worksheet worked out very neatly, it was kinda small for 6th graders to work with. The range of fine motor skills in any classroom of 6th graders is incredibly wide. At one end of the spectrum, you have students who can draw the most elaborate dragons or mermaids, complete with highly refined textures and details of the scales on either creature. At the other end of the spectrum, you have the students I've come to think of as the "mashers," "stompers," and "pluckers." These are the kids who haven't yet connected with the fine motor skills and tend to mash, crush, or stomp on things accidentally. Some will pluck out the erasers from the pencils in frustration ("Damn you, pointy pencil tip!!!").
This made me want to rethink the tools and scales of the modeling. It might be good to have an actual manipulative with bigger units (still to scale). Cutting things out is a good way for students this age to experience the idea of units and compatible units. Simply measuring and mentally parceling out segments is a little tough for this age group. Ironically, within a year or so, this difficulty seems to disappear. I'm sure there are a lot of great suggestions for ways to make this process of connecting the measurements to the ratios through a more physically accessible manipulative or model. But then again, I'm just one teacher, so what do I really know? My assessment: B
The Not Ugly, But Still Challenging Truth
The most difficult thing about this lesson is that 6th graders go S L O W L Y. Really slowly. My students' fastest pace was still about three times longer than the initial plan.
I am fortunate that this pacing is OK for me and my students. They need to wallow in this stuff, so I will simply take more time to let them marinate. We'll try to invent some new manipulatives for this, and I'll blog about them in a follow-up.
But the reality is that this lesson is going to take us three full periods to get through. They will be three awesome, deeply engaging learning episodes filled with deep connections as well as begging to have me play the video again (Seriously? Three times is not enough for you people???).
Even though this is a much bigger time requirement, I still give this aspect of the lesson an A+. Getting reluctant learners to be curious about something they're very well defended against is a big victory.
I'm excited to see what happens tomorrow! Thanks, Mathalicious!
The Good — Engagement & Inclusion
First of all, let's talk engagement. This made a fabulous anchor lesson for introducing ratios. The lesson opens with a highly unusual video of a musical number that every middle school student in America knows — One Direction's "What Makes You Beautiful."
You'll just have to watch the video for yourself to see how the surprise of this song gets revealed.
What I wish I could capture — but I can only describe — was the excitement in the room as my 6th graders realized what song was being played. It took about eight measures for the realization to kick in. Imagine a room full of South Park characters all clapping their hands to their cheeks and turning around with delight to see whether or not I really understood the religious experience I was sharing with them.
Every kid in the room was mesmerized. Even my most challenging, least engaged, most bored "I hate math" kids were riveted to the idea that music might be connected to math. It passed the Dan Pink Drive test because suddenly even the reluctant learners were choosing to be curious about something in math class. My assessment: A+
We started with a deliberately inclusive activity to kick things off — one whole-class round of Noticing and Wondering (h/t to the Math Forum). Sorry for the blurry photography of my white board notes. They noticed all kinds of really interesting things and everybody participated:
From noticing and wondering, we began to circle in on length of piano strings and pitch of notes. This was a very natural and easy transition, perhaps since so many of the students (and I) are also musicians of different sorts. Five guys, one piano, dozens of different sounds, what's not to like?
The Not Actually 'Bad,' But Somehow Slightly Less Good
One thing I noticed right away was that, while the scale of the drawings on the worksheet worked out very neatly, it was kinda small for 6th graders to work with. The range of fine motor skills in any classroom of 6th graders is incredibly wide. At one end of the spectrum, you have students who can draw the most elaborate dragons or mermaids, complete with highly refined textures and details of the scales on either creature. At the other end of the spectrum, you have the students I've come to think of as the "mashers," "stompers," and "pluckers." These are the kids who haven't yet connected with the fine motor skills and tend to mash, crush, or stomp on things accidentally. Some will pluck out the erasers from the pencils in frustration ("Damn you, pointy pencil tip!!!").
This made me want to rethink the tools and scales of the modeling. It might be good to have an actual manipulative with bigger units (still to scale). Cutting things out is a good way for students this age to experience the idea of units and compatible units. Simply measuring and mentally parceling out segments is a little tough for this age group. Ironically, within a year or so, this difficulty seems to disappear. I'm sure there are a lot of great suggestions for ways to make this process of connecting the measurements to the ratios through a more physically accessible manipulative or model. But then again, I'm just one teacher, so what do I really know? My assessment: B
The Not Ugly, But Still Challenging Truth
The most difficult thing about this lesson is that 6th graders go S L O W L Y. Really slowly. My students' fastest pace was still about three times longer than the initial plan.
I am fortunate that this pacing is OK for me and my students. They need to wallow in this stuff, so I will simply take more time to let them marinate. We'll try to invent some new manipulatives for this, and I'll blog about them in a follow-up.
But the reality is that this lesson is going to take us three full periods to get through. They will be three awesome, deeply engaging learning episodes filled with deep connections as well as begging to have me play the video again (Seriously? Three times is not enough for you people???).
Even though this is a much bigger time requirement, I still give this aspect of the lesson an A+. Getting reluctant learners to be curious about something they're very well defended against is a big victory.
I'm excited to see what happens tomorrow! Thanks, Mathalicious!
Wednesday, May 15, 2013
Substitution with stars
This one is for Max, who asked about it on Twitter, and for Ashli, who interviewed me for her Infinite Tangents podcasts.
As Ashli and I were talking about some of the struggles we see as young adolescents make the transition from concrete thinking to abstraction, I mentioned substitution.
For many learners, there comes a point in their journey when abstraction shows up as a very polite ladder to be scaled. But for others (and I count myself among this number), abstraction showed up as the edge of a cliff looking out over a giant canyon chasm. A chasm without a bridge.
This chasm appears whenever students need to apply the substitution property of equality — namely, the principle that if one algebraic expression is equivalent to another, then that equivalence will be durable enough to withstand the seismic shift that might occur if one were asked to make it in order to solve a system of equations.
Here is how I have tinkered with the concept and procedures.
Most kids understand the idea that a dollar is worth one hundred cents and that one hundred cents is equivalent to the value of one dollar. I would characterize this as a robust conceptual understanding of the ideas of substitution and of equivalence.
One dime is equivalent to ten cents. Seventy-five pennies are equivalent to three quarters. You get the idea.
We play a game. "I have in my hand a dollar bill. Here are the rules. When George's face is up, it's worth one dollar. When George is face down, it's worth one hundred cents. Now, here's my question."
I pause.
"Do you care which side is facing up when I hand it to you?"
No one has yet told me they care.
"OK. So now, let's say that I take this little green paper star I have here on the document camera. Everybody take a little paper star in whatever color you like."
Autonomy and choice are important. I have a student pass around a bowl of brightly colored little paper stars I made using a Martha Stewart shape punch I got at Michael's.
Everybody chooses a star and wonders what kind of crazy thing I am going to have them do next.
We consider a system of equations which I have them write down in their INB (on a right-hand-side page):
We use some noticing and wondering on this little gem, and eventually we identify that y is, in fact, equivalent to 11x – 16.
On one side of our little paper star, we write "y" while on the other side, we write "11x-16":
I think this becomes a tangible metaphor for the process we are considering. The important thing seems to be, we are all taking a step out over the edge of the cliff together.
We flip our little stars over on our desks several times. This seems to give everybody a chance to get comfortable with things. One side up displays "y." The other side up displays "11x–16." Over and over and over. The more students handle their tools, the more comfortable they get with the concepts and ideas they represent.
Then we rewrite equation #1 on our INB page a little bigger and with a properly labeled blank where the "y" lived just a few short moments ago:
"Hey, look!" somebody usually says. "It looks like a Mad Lib!"
Exactly. It looks like a Mad Lib. Gauss probably starts spinning in his grave.
"Can we play Mad Libs?" "I love Mad Libs!" "We did Mad Libs in fifth grade!" "We have a lot of Mad Libs at my house!" "I'll bring in my Mad Libs books!" "No, mine!"
It usually takes a few minutes to calm the people down. This is middle school.
I now ask students to place their star y-side-up in the blank staring back at us.
Then it's time to ask everybody to buckle up. "Are you ready?"
When everybody can assure me that they are ready, we flip the star. Flip it! For good measure, we tape it down with Scotch tape. Very satisfying.
A little distributive property action, a little combining of like terms, and our usual fancy footwork to finish solving for x.
Some students stick with substitution stars for every single problem they encounter for a week. Maybe two. I let them use the stars for as long as they want. I consider them a form of algebraic training wheels, like all good manipulatives. But eventually, everybody gets comfortable making the shift to abstraction and the Ziploc bag of little stars goes back into my rolling backpack for another year.
-----------------------
I'd like to thank the Academy and Martha Stewart for my fabulous star puncher, without which, this idea would never have arisen.
I wore out my first star puncher, so I've added a link above for my new paper punch that works much better for making substitution stars. Only eight bucks at Amazon. What's not to like? :)
As Ashli and I were talking about some of the struggles we see as young adolescents make the transition from concrete thinking to abstraction, I mentioned substitution.
For many learners, there comes a point in their journey when abstraction shows up as a very polite ladder to be scaled. But for others (and I count myself among this number), abstraction showed up as the edge of a cliff looking out over a giant canyon chasm. A chasm without a bridge.
This chasm appears whenever students need to apply the substitution property of equality — namely, the principle that if one algebraic expression is equivalent to another, then that equivalence will be durable enough to withstand the seismic shift that might occur if one were asked to make it in order to solve a system of equations.
Here is how I have tinkered with the concept and procedures.
Most kids understand the idea that a dollar is worth one hundred cents and that one hundred cents is equivalent to the value of one dollar. I would characterize this as a robust conceptual understanding of the ideas of substitution and of equivalence.
One dime is equivalent to ten cents. Seventy-five pennies are equivalent to three quarters. You get the idea.
We play a game. "I have in my hand a dollar bill. Here are the rules. When George's face is up, it's worth one dollar. When George is face down, it's worth one hundred cents. Now, here's my question."
I pause.
"Do you care which side is facing up when I hand it to you?"
No one has yet told me they care.
"OK. So now, let's say that I take this little green paper star I have here on the document camera. Everybody take a little paper star in whatever color you like."
Autonomy and choice are important. I have a student pass around a bowl of brightly colored little paper stars I made using a Martha Stewart shape punch I got at Michael's.
Everybody chooses a star and wonders what kind of crazy thing I am going to have them do next.
We consider a system of equations which I have them write down in their INB (on a right-hand-side page):
We use some noticing and wondering on this little gem, and eventually we identify that y is, in fact, equivalent to 11x – 16.
On one side of our little paper star, we write "y" while on the other side, we write "11x-16":
I think this becomes a tangible metaphor for the process we are considering. The important thing seems to be, we are all taking a step out over the edge of the cliff together.
We flip our little stars over on our desks several times. This seems to give everybody a chance to get comfortable with things. One side up displays "y." The other side up displays "11x–16." Over and over and over. The more students handle their tools, the more comfortable they get with the concepts and ideas they represent.
Then we rewrite equation #1 on our INB page a little bigger and with a properly labeled blank where the "y" lived just a few short moments ago:
"Hey, look!" somebody usually says. "It looks like a Mad Lib!"
Exactly. It looks like a Mad Lib. Gauss probably starts spinning in his grave.
"Can we play Mad Libs?" "I love Mad Libs!" "We did Mad Libs in fifth grade!" "We have a lot of Mad Libs at my house!" "I'll bring in my Mad Libs books!" "No, mine!"
It usually takes a few minutes to calm the people down. This is middle school.
I now ask students to place their star y-side-up in the blank staring back at us.
When everybody can assure me that they are ready, we flip the star. Flip it! For good measure, we tape it down with Scotch tape. Very satisfying.
A little distributive property action, a little combining of like terms, and our usual fancy footwork to finish solving for x.
Some students stick with substitution stars for every single problem they encounter for a week. Maybe two. I let them use the stars for as long as they want. I consider them a form of algebraic training wheels, like all good manipulatives. But eventually, everybody gets comfortable making the shift to abstraction and the Ziploc bag of little stars goes back into my rolling backpack for another year.
-----------------------
I'd like to thank the Academy and Martha Stewart for my fabulous star puncher, without which, this idea would never have arisen.
I wore out my first star puncher, so I've added a link above for my new paper punch that works much better for making substitution stars. Only eight bucks at Amazon. What's not to like? :)
Tuesday, April 2, 2013
Intro to Quadratics — from "drab" to "fab" (or at least, to something less drab)
Recently, I created a new anchor lesson for my Algebra 1 quadratics unit. I found that, while I really liked the sequencing of activities and questioning in the NCTM Illuminations lesson on "Patterns and Functions," I found their situation and set-up simultaneously boring, contrived, and inane.
The Made To Stick elements are all here: multiple access points are provided through manipulatives, storytelling, and humor.
My student investigation sheet, Table for Eighteen... Monkeys is available on Box.com. A PDF of the Table Tiles master is available here on Box.com
here.
Tiny plastic monkeys sold separately. :)
![]() |
Actual photograph of San Francisco monkeys
hosting a tea party in the wild
|
As is so often the case, I find that a certain, judicious sprinkling of silliness and fun in the set-up can really liven up the lesson. A certain amount of contrivance is necessary in many activities, even those that are based on "real-world situations." So why not stretch the real world to make it conform to the needs of my algebra students?
The Made To Stick elements are all here: multiple access points are provided through manipulatives, storytelling, and humor.
My student investigation sheet, Table for Eighteen... Monkeys is available on Box.com. A PDF of the Table Tiles master is available here on Box.com
here.
Tiny plastic monkeys sold separately. :)
UPDATE: Worksheets now also on the Math Teacher's Wiki, at http://msmathwiki.pbworks.com/w/page/55614036/Algebra%201#view=page
Sunday, March 24, 2013
Thoughts On Making Math Tasks "Stickier"
Last year, the book that changed my teaching practice the most was definitely Dan Pink's Drive: The Surprising Truth About What Motivates Us. It helped me to think through how I wanted to structure classroom tasks in order to maximize intrinsic motivation and engagement.
This year, the book that is influencing my teaching practice the most would have to be Made To Stick: Why Some Ideas Survive and Others Die by Chip and Dan Heath. I bought it to read on my Kindle, and I kind of regret that now because it is one of those books (like Drive) that really needs to be waved around at meaningful PD events.
The Heath brothers' thesis is basically that any idea, task, or activity can be made "stickier" by applying six basic principles of stickiness. Their big six are:
This framework can also help us to understand — and hopefully to improve —a lot of so-so ideas that start with a seed of stickiness but haven't yet achieved their optimal sticky potential.
I wanted to write out some of what I mean here.
For example, I have often waxed poetic about Dan Meyer's Graphing Stories, which are a little jewel of stickiness when introducing the practice of graphing situations, yet I find a lot of the other Three-Act Tasks to be curiously flat for me and non-engaging. Some of this has to do with the fact that I am not a particularly visual learner, but I also think there is some value in analyzing my own experience as a formerly discouraged math learner. I have learned that if I can't get myself to be curious and engaged about something, I can't really manage to engage anybody else either.
Made To Stick has given me a vocabulary for analyzing some of what goes wrong for me and what goes right with certain math tasks. The six principles framework are very valuable for me in this regard, both descriptively and prescriptively. For example, Dan's original Graphing Stories lesson meets all of the Heath brothers' criteria. It is simple, unexpected, concrete, credible, emotional, and narrative. The lesson anchors the learning in students' own experience, then opens an unexpected "curiosity gap" in students' knowledge by pointing out some specific bits of knowledge they do not have but could actually reach for if they were simply to reach for it a little bit.
But I would argue that the place where this lesson succeeds most strongly is in its concreteness, which is implemented through Dan's cleverly designed and integrated handout. At first glance, this looks like just another boring student worksheet. But actually, through its clever design and tie-in to the videos, it becomes a concrete, tangible tool that students use to expose and investigate their own curiosity gaps for themselves.
Students discover their own knowledge gap through two distinct, but related physical, sensory moments: the first, when they anchor their own experiences of walking in the forest, crossing over a bridge, and peering out over the railing as they pass over (sorry, bad Passover pun), and the second, when they glance down at the physical worksheet and pencil in their own hands and are asked to connect what they saw with what they must now do.
This connection in the present moment to the students' own physical, tangible experience must not be underestimated.
Watching the video — even watching a worldclass piece of cinematography — is a relatively passive sensory experience for most of us.
But opening a gap between what I see as a viewer and what I hold in my hands — or what I taste (Double-Stuf Oreos!), smell, feel, or hear — and I'm yours forever.
This way of thinking has given me a much deeper understanding of why my lessons that integrate two or three sensory modalities always seem to be stickier than my lessons that rely on just one modality. Even when the manipulatives I introduce might seem contrived or artificial, there is value in introducing a second or third sensory dimension to my tasks. In so doing, they both (a) add another access point for students I have not yet reached and (b) expose the gap in students' knowledge by bringing in their present-moment sensory experiences. And these two dimensions can make an enormous different in students' emotional engagement in a math task.
This year, the book that is influencing my teaching practice the most would have to be Made To Stick: Why Some Ideas Survive and Others Die by Chip and Dan Heath. I bought it to read on my Kindle, and I kind of regret that now because it is one of those books (like Drive) that really needs to be waved around at meaningful PD events.
The Heath brothers' thesis is basically that any idea, task, or activity can be made "stickier" by applying six basic principles of stickiness. Their big six are:
- Simple
- Unexpected
- Concrete
- Credible
- Emotional
- Story
This framework can also help us to understand — and hopefully to improve —a lot of so-so ideas that start with a seed of stickiness but haven't yet achieved their optimal sticky potential.
I wanted to write out some of what I mean here.
For example, I have often waxed poetic about Dan Meyer's Graphing Stories, which are a little jewel of stickiness when introducing the practice of graphing situations, yet I find a lot of the other Three-Act Tasks to be curiously flat for me and non-engaging. Some of this has to do with the fact that I am not a particularly visual learner, but I also think there is some value in analyzing my own experience as a formerly discouraged math learner. I have learned that if I can't get myself to be curious and engaged about something, I can't really manage to engage anybody else either.
Made To Stick has given me a vocabulary for analyzing some of what goes wrong for me and what goes right with certain math tasks. The six principles framework are very valuable for me in this regard, both descriptively and prescriptively. For example, Dan's original Graphing Stories lesson meets all of the Heath brothers' criteria. It is simple, unexpected, concrete, credible, emotional, and narrative. The lesson anchors the learning in students' own experience, then opens an unexpected "curiosity gap" in students' knowledge by pointing out some specific bits of knowledge they do not have but could actually reach for if they were simply to reach for it a little bit.
But I would argue that the place where this lesson succeeds most strongly is in its concreteness, which is implemented through Dan's cleverly designed and integrated handout. At first glance, this looks like just another boring student worksheet. But actually, through its clever design and tie-in to the videos, it becomes a concrete, tangible tool that students use to expose and investigate their own curiosity gaps for themselves.
Students discover their own knowledge gap through two distinct, but related physical, sensory moments: the first, when they anchor their own experiences of walking in the forest, crossing over a bridge, and peering out over the railing as they pass over (sorry, bad Passover pun), and the second, when they glance down at the physical worksheet and pencil in their own hands and are asked to connect what they saw with what they must now do.
This connection in the present moment to the students' own physical, tangible experience must not be underestimated.
Watching the video — even watching a worldclass piece of cinematography — is a relatively passive sensory experience for most of us.
But opening a gap between what I see as a viewer and what I hold in my hands — or what I taste (Double-Stuf Oreos!), smell, feel, or hear — and I'm yours forever.
![]() |
"My work here is done." |
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